Witness me striding over to the window. I throw said window open and lean out, startling an urchin below. (Naturally, I have a comical olde-world sleep cap on.)
"You there! What genre is this?"
"W-why... it's traditional romance ma'am!"
I step back and dance around my bedroom in delight. A miracle has occurred. My cold, dead heart is beating once more - because I read a traditional romance novel and it was fantastic.
Traditional romance is traditionally the stuff of Mills and Boon. Where they once had covers of men and women in various stages of their clothes falling off, contemporary romances now have covers with characters drawn in a cartoonish style, looking wistfully at each other like they are part of a the syllabus textbook for a GCSE in Pining.
Lucy is the former manager of a luxury Manchester hotel, recently fired for gross misconduct. She is desperate for any reference, and so accepts a two month contract in Iceland, running a small lodge. Scottish Alex is a manager for a huge chain about to buy the Icelandic lodge, and he's asked to report on the hotel for the new owners, which he does by going undercover as a barman. Lucy arrives and is immediately beset by troubles - someone is sabotaging the hotel. Can they find the culprit, find true love, and keep their jobs?
I mean, yes, of course they can. But it was entertaining nonetheless.
This book reminded me, of all things, of Legends and Lattes. The appeal of that book wasn't the fantasy world, but the joy in watching someone build something up in satisfying increments. Watching Lucy build her confidence back up, solve problems, find missing décor, create friendships with the staff, adjust menus and get a sheep out of a hot tub was joyfully small escapism, just as her trips to Icelandic beauty spots gave me the satisfaction of googling them and imagining being there whilst on my nice warm sofa.
The romance is thankfully down-to-earth. There is no pointless drama, just two people trying to work each other out. Even when the 'betrayal' is revealed (and even exaggerated), everyone acts mostly sensibly and with minimal leaping-to-conclusions or silly fighting-for-the-sake-of-drama.
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